Why a kintsugi kit is adults only, how to handle two part epoxy and broken pottery safely, how to store the kit and what a repaired piece can be used for.
Kintsugi is easy to do and hard to do perfectly first time. What beginners find difficult, what a first repair really looks like and how to make it easier.
Kintsugi splits neatly between two people, one mixing and spreading while the other holds, so here is how to run it as a date night or anniversary evening.
Everything in a kintsugi kit and what each part is for, from the two part epoxy and gold effect pigment to the spreader, gloves and two practice bowls.
Porcelain breaks cleanly and takes a fine gold line, stoneware drinks more adhesive and suits a bolder vein, and glass needs the most careful handling of all.
How to plan the order of assembly for a bowl in four pieces or more, hold each join while it sets and rescue a repair when the last piece will not fit.
Urushi kintsugi uses tree lacquer and real gold across weeks or months, epoxy kits finish in an evening, and here is what you gain and give up either way.
A kintsugi kit is measured by the total length of the breaks, not the number of objects, so here is how to judge what one kit will cover before you start.
Three makes worth starting in December: country wine that lands in spring, spiced rum ready inside a week, and a kintsugi repair that fills one dark evening.
A kintsugi kit has no best before date because nothing in it spoils. How to store the sealed epoxy and the pigment, and why mixed epoxy cannot be saved.
A kintsugi repair is decorative, not crockery. How to clean and store repaired ceramics, what they are good for, and how to redo a join that has failed.