Why a kintsugi kit is adults only, how to handle two part epoxy and broken pottery safely, how to store the kit and what a repaired piece can be used for.
Kintsugi splits neatly between two people, one mixing and spreading while the other holds, so here is how to run it as a date night or anniversary evening.
Everything in a kintsugi kit and what each part is for, from the two part epoxy and gold effect pigment to the spreader, gloves and two practice bowls.
Porcelain breaks cleanly and takes a fine gold line, stoneware drinks more adhesive and suits a bolder vein, and glass needs the most careful handling of all.
How to plan the order of assembly for a bowl in four pieces or more, hold each join while it sets and rescue a repair when the last piece will not fit.
Why most new hobbies die in February, what to look for in a January project, and three makes that hand you a finished result on the very first attempt.
Urushi kintsugi uses tree lacquer and real gold across weeks or months, epoxy kits finish in an evening, and here is what you gain and give up either way.
A kintsugi kit is measured by the total length of the breaks, not the number of objects, so here is how to judge what one kit will cover before you start.
Three makes worth starting in December: country wine that lands in spring, spiced rum ready inside a week, and a kintsugi repair that fills one dark evening.
Making kits that treat teenagers as capable: which suit which age, where an adult is needed, five non-kit ideas and how to avoid it feeling like homework.
Why experience vouchers go unused, what makes a good at-home experience gift, three that are worth giving and how to wrap something that is mostly a promise.
A kintsugi kit has no best before date because nothing in it spoils. How to store the sealed epoxy and the pigment, and why mixed epoxy cannot be saved.